Learning how to use the Garmin inReach Mini (or Mini 2) satellite communicator without a smartphone opens up opportunities for overall battery management and more efficient messaging, navigation, and tracking.
Learning how to use the Garmin inReach Mini without a smartphone is an essential skill to learn for device owners.
A smartphone paired to a Garmin inReach Mini satellite communicator certainly enhances the experience of using the device. It’s easier to type a message on a smartphone keyboard than on the Mini “keyboard” (sic). In addition, using a smartphone paired to the inReach Mini provides a more robust mapping-navigation experience, since the inReach Mini is not a mapping GPS unit.
However, as I wrote in this week’s Founder’s Journal:
“My phone generally stays off throughout the day unless I need to send a message (which I rarely do while hiking) or I need to consult digital maps on the Gaia GPS app on off-trail routes. I still like a small paper map and a real camera. There’s tactile satisfaction at using a paper map and a camera for photography rather than using a smartphone.
And this brings me to the main point of today’s letter – why I choose to use a Garmin inReach Mini 2 vs. a sat-connected brick like the Zoleo or BivyStick.”
from the May 19, 2022 issue of the Founder’s Journal, an email newsletter written by Backpacking Light owner/founder Ryan Jordan sent 1-2x per month to Backpacking Light email newsletter subscribers.
In the video below, I highlight some of the ways I use the Garmin inReach Mini 2 as a standalone device during the day if and when I’m not using my smartphone (e.g., while hiking on trails where I don’t need to refer to my mapping app very often).
These are the features I regularly use when my smartphone is off and packed away and not paired with my Garmin inReach Mini 2:
marking waypoints
sending preset messages
monitoring and reading incoming messages
using the digital compass
requesting and reviewing incoming weather updates
determining location coordinates (I pair this info with my paper map)
Do you keep your smartphone on during the day while hiking? Why or why not?
For Garmin inReach Mini or Mini 2 users: are there other functions you use in addition to the ones outlined above that you use regularly when your inReach is not paired to your smartphone?
Executive Producer - Backpacking Light; Show Director and Host - Ryan Jordan; Producer - Chase Jordan; Theme music: Look for Me in the Mountains written by Chris Cunningham and Ryan Jordan, performed by Chris Cunningham (acoustic guitar, lead and harmony vocals, harmonica), Chad Langford (upright bass), and Tom Murphy (mandolin), produced by Basecamp Studios in Bozeman, Montana.
Sponsorship Policy: Backpacking Light does not accept compensation or donated/discounted products in exchange for product mentions or placements in editorial coverage, including any podcast episode content not excplicitly identified as sponsored content.
Some (but not all) of the links in these show notes may be affiliate links. If you click on one of these links and visit one of our affiliate partners (usually a retailer site), and subsequently place an order with that retailer, we receive a commission on your entire order, which varies between 3% and 15% of the purchase price. Affiliate commissions represent less than 15% of Backpacking Light's gross revenue. More than 70% of our revenue comes from Membership Fees. So if you'd really like to support our work, don't buy gear you don't need - support our consumer advocacy work and become a Member instead.
Learn more about affiliate commissions, influencer marketing, and our consumer advocacy work by reading our article Stop wasting money on gear.
Cottage backpacking gear makers face supply chain and logistical challenges but find fulfillment in other aspects of their operations.
Introduction
The ripple effects of the pandemic made everything from toilet paper to bicycles hard to find. Consumers quickly gained a cursory understanding of the entangled and interdependent factors that get materials from Point A to Point B. After two years, many of the day-to-day inconveniences connected with the pandemic disruption related to the supply chain have faded or reduced in frequency, at least on a superficial level. But smaller manufacturers in the backpacking industry are still feeling the disruptions in ways both subtle and severe, and more challenges are on the horizon.
Ultralight backpackers have long accepted a delay of several weeks to months between ordering and shipping as standard practice in the cottage industry. But the price of Dyneema Composite Fabric (DCF) tents and shelters rose sharply as the fabric itself became more expensive and difficult for cottage manufacturers to obtain. Even backpackers who didn’t need to purchase any new gear encountered issues with purchasing some consumables, like the typical gas canisters used with lightweight backpacking stoves. Some stores – even major chains like REI Co-op – were out entirely or only offered limited options.
Stove fuel is one of the items that became hard to find during the height of the pandemic – even at large stores like REI Co-op. Photo: Ryan Jordan
The pandemic also impacted warranty services, as replacement parts were subject to supply chain issues. On top of that, some warranty shops faced staffing issues as people were either sick or had decamped for greener pastures. Items I sent to Arc’teryx and Cascade Designs for warranty claims in 2020 and 2021 took several weeks longer to be processed than I had previously experienced. I had casual phone conversations with two warranty employees during the return process. Both described challenging conditions at their respective facilities regarding having staff on hand to open, evaluate, and ultimately resolve the warranty claims.
Posts across social media over the last two years, including the BPL forums, frequently discussed longer lead times for custom or limited-run pieces of gear. Posters also noted backorder and out-of-stock notices becoming increasingly common even among mainstream brands and at stores with significant market share and purchasing power.
These complaints come on top of concerns and discussions that predated the pandemic but have increased considerably since March 2020. Most of these discussions revolve around the increasing popularity of backpacking and hiking. Our sport’s pandemic-driven newfound popularity has resulted in new challenges. There are overuse impacts on trails and dispersed camping areas, permit and quota implementation difficulties in wilderness areas, and higher trail-use densities on public lands. All these issues can result in a degraded user experience.
But the ability to adapt to changing conditions is a crucial skill for backpacking. In many ways, it has proven crucial to the success of the smaller companies that are making backpacking gear.
This article is based on interviews with makers from several corners of the backpacking world. It will examine the highs, lows, current concerns, and unique challenges of the ultralight gear cottage industry.
From Our Archives: Listen to our ongoing podcast series where we interview cottage industry makers.
Most backpackers have a practical appreciation for the quality of the high-tech fabrics used in ultralight backpacks and shelters. Such fabrics protect us from the elements and haul our gear around. And they do so for hundreds of days and thousands of miles without meaningful decreases in their performance. But most of us fail to fully consider the international production and distribution process, with many literal moving parts and production timelines involved. The changes to Dyneema Composite Fabric (DCF) pricing and production have been the most noticeable.
The price of this DCF shelter, the Zpacks Free Duo, rose by about $100 in the months between field testing and when we published our review. Photo: Ben Kilbourne
DSM, the company that makes Dyneema Composite Fabric, is still only one of a few companies working with ultra-high-molecular-weight polyethylene (UHMWPE). The way DCF is constructed – by arranging fibers between two laminate sheets of polyester rather than weaving – necessitates large batches and specialized equipment.
DCF production is limited – the fiber is made in Greenville, NC, and the fabric comes out of a single factory in Mesa, AZ. Ordering from these factories isn’t something that happens on short notice with a few emails. Production is scheduled months in advance. But delays with sourcing the appropriate fabrics, shipping logistics, or other issues can impact production schedules. Customers ordering larger volumes have priority. That affects scheduling and the quantity of material available for smaller companies. Outfits without an existing business relationship might be unable to get taken on as customers.
“Let’s not sit here and pretend like DSM will even acknowledge our existence. If you’re smaller than Zpacks or Hyperlight Mountain Gear, they won’t even return an email, let alone take our order,” said Chris Millard of Light AF, a cottage company specializing in ultralight backpacks.
A custom LiteAF DCF dye-sublimated pack being worn by Jeff Garmire. Photo: Maggie Slepian.
“[Even] prior to Covid, it was difficult to compete with the larger brands for materials and production sourcing if you want[ed] great suppliers. All the top suppliers don’t want to bother with you if you don’t have sufficient volume and reputation, so you can be left working with tier two suppliers that are often cheaper but don’t have the same quality, nor opportunities for innovation (e.g., new materials, new methods),” explained Dan Durston of Durston Gear.
Light AF was, until recently, one of few cottage companies using a dye-sublimation process on DCF. The result was unique and colorful packs that went beyond the neutral blues, greens, grays, and whites for which the fabric is known. Now Millard has announced the company will be moving exclusively to Challenge Sailcloth’s Ultra fabric. Other brands, such as Nashville Pack and Equipment Company and Pa’lante Packs are also switching.
Like DCF, Ultra is an UHMWPE. But it features a woven face fabric with a laminate backing instead of the “arranged and sandwiched” approach taken by DSM for Dyneema Composite Fabric. Like DCF, it has a high strength-to-weight ratio and is waterproof. But the best part – from a maker standpoint – is its availability.
As Dan Durston said, “everything about it is way easier, from smaller quantities to way better lead times. You can get it in weeks or a few months, whereas DCF is about a year right now.”
Ultra is a woven UHWMD fabric with a laminate backing. It is much more readily available than Dyneema Composite Fabric. Photo: Ripstop by the Roll
The advent of Ultra could go a long way towards solving the premium technical fabric supply issues that cottage manufacturers are currently facing. That could make for cheaper – but still high-performing – gear on shorter turnaround times, though the long-term durability of Ultra in ultralight gear applications is still unknown.
But there’s still the issue of factories.
“For tents, there are really only two factories in the world that build almost all of the premium tents, and we were fortunate to start with one of them…but if we were trying to start smaller, it probably would have been a no,” said Durston. “For many companies, making that jump from small-scale production to…top factories would be a hard one because you can’t get there gradually – you have to commit to a large production run.”
Finding factories that match the exacting standards of cottage gear makers while remaining in their price range is tough. Many cottage companies start with one person, a sewing machine, and a basement, and makers are able to ensure every piece matches their quality control standards. Once scaling begins, things get more complicated.
Dan Durston of Durston Gear considers himself lucky to be working with high-end factories to produce his shelters – like this Durston X-Mid Pro 2 – but still faces issues related to material sourcing, capital, and scaling. Photo: Ryan Jordan
Matt Evans of Red Paw Packs has been a solo operation until just recently. Expansion has been rocky for him.
“The first factory I worked with a few months ago [created a batch of 50 fanny packs] and most of them were unacceptable for sale (and [are] now wasting space in my studio),” said Evans. “I want any item sold through my shop to match or exceed the quality that I produce myself.”
Even medium-sized (by market share) companies struggle with it.
“When you’re a small and growing business, you must be creative in your solutions to almost everything. Scaling means you might be working out of a renovated basement turned into a drying room. Direct-to-consumer can be challenging for many cottage businesses, because while you’re busy making your product, you also have the added duties of marketing, accounting, shipping, etc. There are only so many hours in the day,” said Jennifer Scism, chef and co-founder at Good To-Go.
The ability to be involved in every aspect of the company and envision the use of a product comes more easily at smaller outdoor companies. Many of those interviewed focused on their appreciation of the creativity that they can exercise. Direct-to-consumer business models mean they get to genuinely engage with customers and backpacking communities online.
Good To-Go has successfully scaled its small operation to the point where its products appear in major outdoor stores. Photo: Andrew Marshall
“The thought of a bunch of people eating meals we cooked ourselves all over the country, especially in some awesome areas is super cool,” said John Ritner of Pinnacle Foods, which he founded with his brother Ben. “It’s been a rewarding process to be covering every aspect of the process, from sourcing ingredients and packaging, to prepping, cooking, freeze-drying, packaging, shipping, marketing, sales, social media, etc.; our small team of three literally does everything, so it’s been fun getting our hands in everything, and being able to control the quality at every step.”
“A business model that I’m passionate about is direct to the customer,” said Dan Durston. “I think a gear company can better educate people about their gear than a retail store since we can develop in-depth product videos, be available online, provide detailed product pages, etc., whereas a retailer is handling numerous product lines and can’t provide the same depth.”
“Of course, a retailer can allow customers to touch and try the gear, so having both would be nice, but selling direct saves substantial retailer markup, which we can put to better use. Instead of an 80-100% retailer markup, we can put more money into making an even better product and still sell it for substantially less…overall, I think our direct-to-customer model is better for backpackers because it’s more efficient, allows us to build a higher-end product, and to innovate faster, so we think this strategy makes the most sense. With that said, maybe there [are] some benefits to being in a few retailers, so people have somewhere to touch and try the gear.”
Henry Shires of Tarptent had similar feelings about the benefits of the direct-to-consumer business model.
“I/we decided long ago to stay direct-to-consumer and not go retail. In the retail model, your customer is the store, not the end-user,” said Shires. “I much prefer selling direct to the person using the product. It leads to direct feedback and ultimately better products.”
Henry Shires of Tarptent long-ago decided that his products – like this Tarptent Notch Li – would always be direct-to-consumer. Photo: Ryan Jordan
Offering custom-made pieces of gear for a user’s specific preferences or dimensions is a crucial part of the business of many cottage industry manufacturers. However, long wait times for custom gear – a factor even before the pandemic – do impact the overall business. Customization can be hard to sustain, and some small companies that start out offering it don’t do so for long.
“Our business model centers around quick fulfillment. This is so that people who want to be outfitted for a last-minute weekend getaway can make it happen while also experiencing the freedom of ultralight gear,” said Sarah del Puerto at Gossamer Gear. “For this reason, we do not make custom gear as that usually entails a multi-month waiting period.”
Finding capital
Access to the capital needed to start a business and expand it once it begins to grow is a challenge in any industry. It is one that several cottage manufacturers noted.
“My thinking about the biggest difference between cottage and larger/retail brands is that it all comes down to capital investment. We have been forced into a heavy capital investment model due to our growing line of Dyneema [Composite Fabric] tents,” said Henry Shires of Tarptent. “All product businesses go through managing supply and demand, and it’s really just a matter of scaling to meet your expected demand while managing risk with available capital.”
John Ritner of Pinnacle Foods noted that managing capital resources and preparing for demand was a challenge and required careful strategizing.
“Since the beginning, we have been trying to scale up as we grow, which is hard because we didn’t want to get ahead of ourselves with a ton of debt before the demand was there. When we launched, we were doing everything in a shared-use commercial kitchen in the early mornings before we headed off to our day jobs. We produced 40 meals per week and got things going with just some of our savings,” he said. “Without access to a ton of capital, we have been trying to grow as demand grows, which is a hard guessing game. We recently moved into an awesome 3,200 square foot kitchen…and are feeling really ready for our next big push.”
This meal was made in a shared-use commercial kitchen early in the morning before Ben and John Ritner of Pinnacle Foods headed off to their day jobs. Photo: Andrew Marshall
Sometimes a product might sell out even before an unforeseeable increase in interest due to internet hype. That can be rough for smaller companies with less capital on hand.
Dan Durston noted that when supply chain issues occur, “That’s hard for everyone, but especially hard for us newer and fast-growing companies because now we can’t respond as quickly to rising interest. We wind up out of stock on popular tents and with long waits to get more. The only solution is to estimate demand much further out (e.g., two years instead of six months) and act on that, which is harder/risky, and it ties up a lot more money in order deposits and materials.”
The unique challenges of packaged food
Makers of cottage industry packaged meals are also affected by the recent world events and economy.
Pinnacle Foods launched only a few months before the pandemic began, so they don’t have a baseline to compare with what business was like in the pre-pandemic years. Despite that lack of comparison, they have noticed issues directly related to the supply chain.
“We did have some issues with packaging because the company making our bags was working at 50% due to Covid precautions, so we did have to use some really large bags for a few months, which was a bummer,” said John Ritner of Pinnacle Foods. “We have also seen food costs go up pretty significantly over the past year, which is always tough to manage.”
Good To-Go saw a sharp increase in demand – with an over 300% increase in revenue in March 2020 – at the pandemic’s beginning. They aren’t the only ones – many of the food brands we reached out to for testing samples in 2020 and 2021 were completely overwhelmed by the demand of panic buying. The situation has generally leveled out since then, with a few occasional spikes in demand.
“As far as ingredients, yes, there have been struggles, but our in-house purchasing manager is a rock star. Over the past two years, we’ve only had to cancel one day of production due to ingredients,” said Jennifer Scism. “Throughout this unprecedented time, we feel very fortunate to have had great relationships with our suppliers – that has helped us stay on track and overcome obstacles as they arise.”
Because the internet
According to our interviewees, social media is “a wild rollercoaster” or “very much a bull in a china shop.” But they also identified it as a way to foster authentic connections with the folks who use their gear and monitor trends that could help prioritize product development or scheduling.
When asked about the challenges of being a smaller company in the outdoor market, Jennifer Scism at Good To-Go notes marketing as her second-most pressing challenge behind scaling.
“We don’t have the budgets the larger brands do. We’re a small brand that does everything in-house, from production of the meals to communicating with our customers,” she said.
While marketing and managing social media can be time-consuming, it also has benefits.
“Being a smaller brand allows us to connect more intimately with our customers. They can reach out with questions and ideas and know someone on our team is going to respond. We’re also more nimble than the larger brands. For example, we can see in real-time if a particular meal seems to be increasing in popularity and can switch production to address demand more quickly.”
Dan Durston agrees.
“The two most enjoyable parts for me are being able to design exactly what I want and being able to engage with the community along the way for ideas, stories, and shared enthusiasm. As a small company, it’s really neat to undertake the full process of having an idea (which typically occurs while I’m out hiking), putting it down on paper, prototyping it to perfection, and then getting it out to customers,” said Durston when asked about the rewards of running a cottage industry backpacking business.
Many cottage industry makers find internet marketing a double-edged sword. It is fulfilling to interact directly with customers but also requires time and energy. Screenshot: Durston Gear Instagram page.
“In a larger company, you’d be part of a larger team designing something where any one person’s ideas are likely a much smaller piece of that process, and they wouldn’t have the same personal investment in the finished product. Seeing ideas come to life is incredibly rewarding, and so is seeing people loving the gear and using it on their adventures,” he continued. “Through the Durston Gearheads group on Facebook and other outlets like Instagram, it’s a joy to people out using the gear. Neatest of all is hiking into a campground here in the Rockies and actually meeting someone in the wild that is using my gear.”
Looking forward
The supply chain has stabilized somewhat, but it seems likely that cottage industry manufacturers will continue facing inflation, staffing challenges, increased transportation costs, material backlogs, and logistical issues. If you’re planning on purchasing from a cottage industry manufacturer, it seems prudent to submit your order as soon as you’ve decided on a product – wait too long, and the product could be out of stock for weeks or months, see a price increase, or see its production indefinitely postponed.
When this happens, it seems best to remember that the person on the other end of the internet is a real human, and forces beyond their control might be impacting your order.
Conclusion
Despite the sheen of romance that surrounds it, there’s nothing particularly fascinating or intriguing about the cottage industry in a purely economic sense. Makers face all the same difficulties – albeit on a different scale – as any business endeavor does.
But the dedication, innovative designs, and often superior quality of many products made by cottage industry manufacturers are remarkable. Cottage makers engage in customer correspondence about customization options, design choices, or deep dives into material selection. The result is a business relationship that both the consumer and producer seem to find deeply rewarding – a feedback loop of innovation and design ethos with a purpose firmly rooted in enjoying the natural world.
The people behind the sewing machines – their goals and dreams, their challenges and triumphs, their philosophies and ideas – are well worth reflecting on as you pack up for your next trip.
Andrew Marshall also contributed reporting to this piece.
Backpacking Light does not accept compensation or donated/discounted products in exchange for product mentions or placements in editorial coverage.
Some (but not all) of the links in this review may be affiliate links. If you click on one of these links and visit one of our affiliate partners (usually a retailer site), and subsequently place an order with that retailer, we receive a commission on your entire order, which varies between 3% and 15% of the purchase price. Affiliate commissions represent less than 15% of Backpacking Light's gross revenue. More than 70% of our revenue comes from Membership Fees. So if you'd really like to support our work, don't buy gear you don't need - support our consumer advocacy work and become a Member instead.
Learn more about affiliate commissions, influencer marketing, and our consumer advocacy work by reading our article Stop wasting money on gear.
This First Looks review of the Atom Packs Nanu X25 examines the standout features and multi-use potential of a durable and aesthetically-pleasing daypack.
Introduction
This review of the Atom Packs Nanu X25 (21 oz / 600 g, MSRP: $269) examines a multi-use daypack with the potential to function as a one-night overnighter. The Nanu X25 is constructed with X10 Cotton Duck Fabric, 500 denier nylon, Dyneema Composite Fabric-reinforced stretch material, and triple stitched and bound seams.
Ryan Jordan talks about minimalist backpacking concepts and Atom Packs Nanu X25 features and specifications in the following video:
The X25 won’t replace anybody’s multi-night pack, and I don’t see it excelling in fastpacking applications (the relatively heavy material choice and shoulder-strap designs preclude it from that). But with a blend of bike, commuting, and backpacking specific features, it could replace two or three packs on the low-volume end of a backpack quiver.
This is a first look at new gear that recently entered our review pipeline, and hasn't yet been subjected to rigorous field use. Learn more about the types of product reviews we publish.
Atom Packs Nanu X25. Photo: Atom Packs
Highlights
clean, minimal aesthetics
body fabric: X10 Cotton Duck
back panel and shoulder strap fabric: 500d nylon
pocket fabric – Dyneema Composite Fabric stretch
classic overnight pack design – roll-top closure, three pockets
shoulder-strap pocket
padded laptop sleeve
removable sternum strap
triple stitched and bound seams
zip upper pocket with internal key clip
shock cord compression tensioners
shock cord trekking pole attachments
bike light loop
Testing Context
I tested the Atom Packs Nanu X25 on a couple of day hikes in the Tahoe Basin Land Management Unit (the traditional land of the Wašišiw people). Leaning into the Nanu X25’s intended use, I also ran some bike errands with it – to the grocery store, to the coffee shop to do some work, and to the post office. I didn’t push the Nanu X25 to its limits as a one-night overnight pack, but Backpacking Light founder/owner Ryan Jordan did, and I tap into his experience in this review as well.
Testing the Atom Packs Nanu X25 on a day hike in the Tahoe Basin. Photo: Andrew Marshall
This is a first look at new gear that recently entered our review pipeline, and hasn't yet been subjected to rigorous field use. Learn more about the types of product reviews we publish.
First Impressions
Fabric and Aesthetics
Atom Packs deviated from typical ultralight fabrics with the Atom Packs Nanu X25, choosing the relatively heavy X10 Cotton Duck by Dimension Polyant (DM) for the main body and 500 denier nylon for the back panel and shoulder straps.
DM’s X10 Cotton Duck is interesting. It’s a 100% cotton fabric with polyester X-PLY yarn reinforcements at 22 degrees off the warp and a polyester film laminated to one side. The upshot is a fabric that looks and feels traditional (think Carhartt jackets) but performs at a high technical level (extremely durable and waterproof, if not the lightest thing around).
The Atom Packs Nanu X25 is made of durable materials. Photo: Andrew Marshall
X10 Cotton Duck started showing up in bikepacking bags because – I imagine – it’s not going to tear the first time it rubs up against a thorn bush at 20 MPH. So it makes sense that Atom Packs would choose it for a pack they assume you’ll be biking around with (more on that later). Based on my experience with and knowledge of fabrics, I have to assume the Atom Pack Nanu X25 is going to age beautifully in a way that synthetic fabrics don’t. And from a purely aesthetic standpoint, the pack succeeds right out of the box. X10 Cotton Duck seems to come in the kind of pleasing, toned-down natural colors I’d prefer to see more of in technical gear (please spare me more neon shades of green, blue, and pink).
I should note that DM has discontinued X10 Cotton Duck. I reached out to Atom Packs to see what they’d make the next run of Nanus out of (currently slated for sometime this summer). The answer is – they aren’t sure. It will be interesting to see if they stick with a natural fiber + laminate model (X-Pac has a variation called X11) or move towards something a little more traditional. The fabric choice adds a lot of character to the Nanu, so personally speaking, I’d think of it as a loss if Atom Packs went with something purely synthetic like ECOPAK.
The Atom Packs Nanu X25 is essentially a miniature version of a classic three-pocket ultralight backpacking pack. Photo: Andrew Marshall
As a final nod towards durability, Atom Packs opts for a Dyneema Composite Fabric-reinforced stretch material that is likely to hold up well against rips and tears. This fabric choice seems a good compromise between the utility of traditional nylon stretch pockets and the durability of open-weave mesh.
Multi-use feature set
The Atom Packs Nanu X25 is essentially a miniaturized version of a three-pocket ultralight pack. It has a roll-top closure with a g-hook tensioner and a single over-the-top webbing strap. There’s a stretchy shoulder-strap pocket on the left-hand shoulder strap that’s big enough to accommodate my iPhone 12 Pro Max or my 650 ml water bottle.
The Nanu X25 also has a shock-cord trekking pole attachment system and two shock-cord compression tensioners on either side of the upper pack. This classic ultralight backpacking feature set gives the Nanu X25 the chops for all-day excursions and quick one-night overnights – provided you have a low-volume kit. A stiff foam back panel lends just a touch of structure, while a line of daisy chain webbing running down each shoulder strap provides attachment points for other incidental gear.
The Atom Pack Nanu X25 on a day hike in Colorado. Photo: Ryan Jordan
The side pockets are cut at an angle. Usually, this design choice denotes a nod towards on-the-go accessibly. I almost never find such pockets practically accessible, and the pockets on the Nanu X25 are no different. It’s possible to fish a water bottle out of them with some contorting, but why bother when you’ve got a shoulder strap pocket right there?
Additional features expand the Nanu 25 capabilities beyond backpacking and hiking. There’s a zip pouch right above the shoulder straps that includes an integrated key clip, a laptop sleeve padded out by the foam back panel, and an internal pocket with a snap closure. A webbing loop sewn into the fabric below the rear pocket provides a handy bike light attachment point. These features make the Atom Packs Nanu X25 an attractive option for the user wanting a day pack that performs at a technical level while also doubling as a commuter or travel pack.
Construction and finish quality
The Atom Pack Nanu X25 features seams that are triple stitched and bound. The hardware and webbing loops are bar-tacked into place. Between these construction choices and the material choices discussed above, I’d classify the Nanu X25 as overbuilt, and I mean that in a good way.
In his Performance Review of the Atom, Dan Durston gave Atom Packs high marks on some, but not all, of his finish quality metrics. Looking over his observations and comparing them to this pack, I’d say Atom Packs has upped its game. There’s one line of stitching with a little wiggle – nothing the average user would be likely to notice.
Final Thoughts
There’s a lot to love about the Atom Packs Nanu X25. It’s a technical pack that doesn’t look or feel like a technical pack. It’s got just enough volume to make a low-volume overnight trip possible but maintains a sleek design that rides comfortably while hiking or biking. The aesthetics are enhanced by attractive material choices that also happen to be durable and waterproof. The overall construction is well-realized.
If you are wondering where the hair that covers the pack in the rest of the photos came from, your answer is in this picture. Photo: Stephanie Jordan.
It is, unfortunately, pretty expensive for a day pack, coming in at ~$269 at the exchange rate as of this writing. That kind of price tag is likely to be offputting to anyone with a daypack that is still doing the trick. But if you happen to be in the market for a new daypack and you’d like it to be one that can replace a few of your other bags as well, you could do worse than considering the Atom Packs Nanu X25.
Atom Packs is out of stock at the moment, so you’ll have to look around on the second-hand market to purchase one. Atom Packs tells me they’ll be tackling another run of this pack sometime in the summer of 2022.
Photos
Dyneema Composite Fabric reinforced stretch pockets are a good middle ground between the stretchy functionality of normal nylon mesh pockets and the durability of open-weave net-style pockets. Photo: Andrew MarshallA line of daisy chain webbing runs down the center of both shoulder straps. Photo: Andrew MarshallX10 Cotton Duck is a hard-wearing, waterproof fabric with a very traditional look and hand-feel. It is certainly heavier than the sorts of ultralight fabrics commonly used in packs at the moment. Photo: Andrew Marshall.The Atom Pack Nanu X25 features a zippered pocket directly above the shoulder straps with an integrated key clip. Photo: Andrew MarshallFeatures include: roll-top closure, adjustable shock cord compression on either side of the pack, and a trekking pole attachment system. Photo: Andrew MarshallThis webbing loop, which is more on the side of the pack than the bottom when the pack is full, is designed to clip a bike light to. Photo: Andrew MarshallThe side pockets are pretty small but large enough to accommodate water bottles of the tall and skinny variety. Photo: Andrew MarshallThe shoulder strap pocket is a much better location for water bottles than the side pocket.
Learn More
Browse our curated recommendations in the Backpacking Light Gear Shop – a product research & discovery tool where you can find Member gear reviews, Gear Swap (used gear) listings, and more info about specific products recommended by our staff and members.
Product mentions in this article are made by the author with no compensation in return. In addition, Backpacking Light does not accept compensation or donated/discounted products in exchange for product mentions or placements in editorial coverage.
Some (but not all) of the links in this review may be affiliate links. If you click on one of these links and visit one of our affiliate partners (usually a retailer site), and subsequently place an order with that retailer, we receive a commission on your entire order, which varies between 3% and 15% of the purchase price. Affiliate commissions represent less than 15% of Backpacking Light's gross revenue. More than 70% of our revenue comes from Membership Fees. So if you'd really like to support our work, don't buy gear you don't need - support our consumer advocacy work and become a Member instead.
Learn more about affiliate commissions, influencer marketing, and our consumer advocacy work by reading our article Stop wasting money on gear.
Ryan chats with Willow Belden from Out There. Also in this episode: updates on some new packs and the How to Use Gaia GPS masterclass.
Stream
Summary
In this episode, Ryan chats with Willow Belden of Out There. Out There is a podcast that tackles big questions through intimate storytelling and is committed to elevating the voices of those traditionally left out of the conversation when it comes to the outdoors.
Also in this episode: a conversation about a new outdoor fabric, updates on some packs we’ve been testing, and the launch of a new Backpacking Light online course – the How to Use Gaia GPS masterclass.
Outline
00:00:30 – introduction
00:01:20 – Ultra – a pack material that is showing up in cottage brands
Executive Producer - Backpacking Light; Show Director and Host - Ryan Jordan; Producer - Chase Jordan; Theme music: Look for Me in the Mountains written by Chris Cunningham and Ryan Jordan, performed by Chris Cunningham (acoustic guitar, lead and harmony vocals, harmonica), Chad Langford (upright bass), and Tom Murphy (mandolin), produced by Basecamp Studios in Bozeman, Montana.
Sponsorship Policy: Backpacking Light does not accept compensation or donated/discounted products in exchange for product mentions or placements in editorial coverage, including any podcast episode content not excplicitly identified as sponsored content.
Some (but not all) of the links in these show notes may be affiliate links. If you click on one of these links and visit one of our affiliate partners (usually a retailer site), and subsequently place an order with that retailer, we receive a commission on your entire order, which varies between 3% and 15% of the purchase price. Affiliate commissions represent less than 15% of Backpacking Light's gross revenue. More than 70% of our revenue comes from Membership Fees. So if you'd really like to support our work, don't buy gear you don't need - support our consumer advocacy work and become a Member instead.
Learn more about affiliate commissions, influencer marketing, and our consumer advocacy work by reading our article Stop wasting money on gear.
In this Zpacks Free Duo Tent review, we dive into its pros (freestanding, Dyneema Composite Fabric) and its cons (low livability, poor storm performance).
Ben Kilbourne reads his essay on the balance between caring about gear and being present on adventures.
Stream
Summary
We talk a lot about gear on this podcast. Gear is fun, and if you are a fan of this pod, you probably have an interest not only in if something works, but why it works. Still, it’s easy to begin to fetishize gear, to turn it almost into the point of having adventures rather than a tool to facilitate them. Don’t believe us? Just search “gear layout” hashtags on Instagram.
That’s why we’ve always loved the essay “Good Gear Lets you be Present” by Ben Kilbourne. In his classic style, Ben struggles to balance his technical and professional interest in gear with his desire to be more fully present on outdoor adventures, something that many of us also struggle with. We think you’ll enjoy his perspective.
Executive Producer - Backpacking Light; Show Director and Host - Ryan Jordan; Producer - Chase Jordan; Theme music: Look for Me in the Mountains written by Chris Cunningham and Ryan Jordan, performed by Chris Cunningham (acoustic guitar, lead and harmony vocals, harmonica), Chad Langford (upright bass), and Tom Murphy (mandolin), produced by Basecamp Studios in Bozeman, Montana.
Sponsorship Policy: Backpacking Light does not accept compensation or donated/discounted products in exchange for product mentions or placements in editorial coverage, including any podcast episode content not excplicitly identified as sponsored content.
Some (but not all) of the links in these show notes may be affiliate links. If you click on one of these links and visit one of our affiliate partners (usually a retailer site), and subsequently place an order with that retailer, we receive a commission on your entire order, which varies between 3% and 15% of the purchase price. Affiliate commissions represent less than 15% of Backpacking Light's gross revenue. More than 70% of our revenue comes from Membership Fees. So if you'd really like to support our work, don't buy gear you don't need - support our consumer advocacy work and become a Member instead.
Learn more about affiliate commissions, influencer marketing, and our consumer advocacy work by reading our article Stop wasting money on gear.
Andrew and Ryan talk with public lands advocate and accomplished backpacker Benny Braden about vandalism, stewardship, and social media.
Stream
Summary
Benny Braden is a public lands advocate and accomplished long-distance hiker. In this episode, Andrew and Ryan chat with him about public lands stewardship, social media, National Park funding, and more. Also in this episode – what’s up with bagging dog poop but leaving it on the side of the trail?
Outline
00:00:28 – spring in the Rockies
00:03:30 – low snowfall in the Sierra this year
00:04:04 – climate change and snowpack in the Sierra and Rockies
00:06:14 – bagging your dog poop but leaving it on the side of the trail
00:09:46 – Benny Braden interview begins
00:14:00 – Max Patch destruction
00:17:38 – social media as a tool – negative vs. positive effect on public lands
00:22:05 – what can public lands give us vs. how we can give back to public lands
00:23:32 – drone footage from Max Patch
00:26:00 – rehabbing Max Patch
00:28:02 – the interface between private charity and federal agencies
00:31:59 – practical advice for working with federal agencies
00:37:00 – Save our Smokies
00:43:08 – why trash is so bad in the smokies
00:47:00 – our parks need better funding
00:50:19 – Responsible Stewardship
00:57:36 – local non-profits vs. national organization – what is Responsible Stewardship adding to the leave no trace landscape?
01:00:48 – internet, social media, and tagging lightly
Executive Producer - Backpacking Light; Show Director and Host - Ryan Jordan; Producer - Chase Jordan; Theme music: Look for Me in the Mountains written by Chris Cunningham and Ryan Jordan, performed by Chris Cunningham (acoustic guitar, lead and harmony vocals, harmonica), Chad Langford (upright bass), and Tom Murphy (mandolin), produced by Basecamp Studios in Bozeman, Montana.
Sponsorship Policy: Backpacking Light does not accept compensation or donated/discounted products in exchange for product mentions or placements in editorial coverage, including any podcast episode content not excplicitly identified as sponsored content.
Some (but not all) of the links in these show notes may be affiliate links. If you click on one of these links and visit one of our affiliate partners (usually a retailer site), and subsequently place an order with that retailer, we receive a commission on your entire order, which varies between 3% and 15% of the purchase price. Affiliate commissions represent less than 15% of Backpacking Light's gross revenue. More than 70% of our revenue comes from Membership Fees. So if you'd really like to support our work, don't buy gear you don't need - support our consumer advocacy work and become a Member instead.
Learn more about affiliate commissions, influencer marketing, and our consumer advocacy work by reading our article Stop wasting money on gear.
Planning a route for wilderness backpacking trips in remote environments can be complicated. In this webinar, learn about route planning tools and processes that simplify planning and help you plan safe, comfortable trips in the backcountry.
In part three of his ongoing series on freeze-drying, Drew Smith explores the science behind how freeze-drying preserves important nutrients – and why it matters.
Andrew talks to Food for the Sole founders Julie and Henry Mosier about running a food production business, scaling, staff management, recipe iteration, and more.
Stream
Summary
In this episode, Andrew chats with Henry and Julie Mosier of Food for the Sole about running a small business in the outdoor industry, idea iteration, bikepacking, working with family, finding mentors, and more!
Outline
What makes Food for the Sole different from other cottage industry backpacking food companies?
Which of Food for the Sole’s products encompasses their vision as a company?
How does the company iterate and test products?
What are the pros and cons of working in a family business?
How do Henry and Julie balance their small business with their love of the outdoors!
Why does Henry love bikepacking, and what gear does he use?
How did Food for the Sole go from an idea to an actual company?
How does Food for the Sole foster community in their workplace?
What is Food for the Sole’s ethos?
What is Food for the Sole doing for inclusivity in the outdoors?
How has Food for the Sole approached scaling and other small business challenges?
Why is mentorship so important?
How does Food for the Sole approach important decision-making?
Executive Producer - Backpacking Light; Show Director and Host - Ryan Jordan; Producer - Chase Jordan; Theme music: Look for Me in the Mountains written by Chris Cunningham and Ryan Jordan, performed by Chris Cunningham (acoustic guitar, lead and harmony vocals, harmonica), Chad Langford (upright bass), and Tom Murphy (mandolin), produced by Basecamp Studios in Bozeman, Montana.
Sponsorship Policy: Backpacking Light does not accept compensation or donated/discounted products in exchange for product mentions or placements in editorial coverage, including any podcast episode content not excplicitly identified as sponsored content.
Some (but not all) of the links in these show notes may be affiliate links. If you click on one of these links and visit one of our affiliate partners (usually a retailer site), and subsequently place an order with that retailer, we receive a commission on your entire order, which varies between 3% and 15% of the purchase price. Affiliate commissions represent less than 15% of Backpacking Light's gross revenue. More than 70% of our revenue comes from Membership Fees. So if you'd really like to support our work, don't buy gear you don't need - support our consumer advocacy work and become a Member instead.
Learn more about affiliate commissions, influencer marketing, and our consumer advocacy work by reading our article Stop wasting money on gear.
If you are struggling to find a shelter that fits, you aren’t alone. We provide some (mostly useful) advice in the context of a pop culture tour.
You don’t have access to view this content.
Membership Required
This feature requires an active Backpacking Light Membership.
Premium Articles
You're currently viewing a free preview of a member exclusive premium article. Our premium articles include in depth journalism and insights from the Backpacking Light editorial team.
Get full article access by subscribing to a Premium or Unlimited Backpacking Light membership!