Is it worth it?

del

If you are simply shooting snapshots, then a DSLR is probably overkill. Plus, if you had it around a job site, there could be a security problem.

The big advantage of a DSLR is that you can do some real photography. On either of those two Nikon models, you have enough manual controls and buttons reachable by thumbs on the rear panel, so you can control your image creation a lot more than if you had a simple compact camera where you have to go through the menu for almost everything (there isn't much room for buttons and controls).

I am not a Nikon shooter, so I can't claim anything about certain models of Nikon. I am a Canon shooter, and every camera that I've had for the last 15 years has been a Canon. To a certain extent, plan first what you need for lenses, and then get the right body to go with them. Good lenses will last for 15 years or more without becoming obsolete. We can't say the same thing about camera bodies.

–B.G.–

As long as you stay away from the lowest end Nikon bodies (D3200, D5200, etc) your current lenses will work just as they did on your N70 but the FOV will be different. I've got a D300 that's pretty fantastic but damn heavy for hiking. The weatherproofing, 6 FPS, and 100% viewfinder are pretty nice though. A D90 would probably work great for you and leave you some extra money for a wide angle lens, which you'll probably want.

If you're happy with the lenses you have I don't see much reason to switch systems. I could be biased as a Nikon user though :)

Adam

Agree with the D90/D7000 comments; both are right around your price target and include the mechanical focusing drive. (I've been eyeing both as an eventual replacement for my D40.)

For the family/candids: consider a faster 35 or 50mm lens (the f/1.8s are fairly inexpensive compared to the f/1.4s).

For work your existing lenses should work, but you many want something wider. The Tokina mentioned is good, but very wide. Consider also the lighting; a radio trigger for the SB-28 will let you place it in other rooms, behind furniture, etc.

Tad
In case you are not familiar with the "crop" factor, using a Nikon APS C body will turn your 24-120 in to a 36-180mm and the 70-210 into a 105-315mm
The only way you can keep the same angle of view you have is to get an FF (full frame) body (D600/700/800)

BTW, Focal length multiplier
Canon APS C 1.6x
Nikon APS C 1.5x

Thanks everyone for your info, I guess I now should decide if I go with a D90 or try and find a D7000 for a killer deal. I don't think I can do a D600- I need new tires for my truck also

Franco- I get the crop thing, I guess the bonus is you get more on the top end so maybe its a wash unless you need a wider field of view.

If you are a landscape shooter, then the APS-C crop factor is a negative. You have to get lenses that are x1.6 wider just to keep up. If you are a wildlife shooter, then the APS-C crop factor is a plus. Your lenses give you the appearance of being x1.6 longer. Unfortunately, you can't have it both ways unless you carry two camera bodies. One friend of mine carries a full frame DSLR for landscape work and a crop factor body for wildlife work. At least if you stay within certain limits, your lenses should be interchangeable within those two bodies.

–B.G.–

del

Bob, I have one word- Duh! If I had an extra $2900 laying around I know my wife wouldn't allow my to use it on a camera. More like using to buy an extra car for one of the kids.

"If I had an extra $2900 laying around I know my wife wouldn't allow my to use it on a camera."

I don't think that it was me advocating you dropping $2900 on a camera.

Besides, explain to your wife that it is not all about what it costs. Just think what it would be worth.

I dropped about $6K on one lens. For that, I had to hold my breath.

–B.G.–

Dig around and find a deal on the D7000. They can be picked up on Amazon for less than the D90, so there isn't a reason to go that route IMO.

I loved the autofocus on the D7000, never once had issue acquiring sharp focus in any situation (*usually mounted a 35/f1.8). 1080p video at 24fps is nice if you plan on doing any video work with it. I never intended to do video when I purchased the D7000 but took to it quickly after seeing the quality.

I regret selling mine, but oh well.

Ok, I’ll be the guy to go against the flow.

This is the worst time in history to buy an SLR. Well, it really depends on your needs. That’s how any response to your question should begin, in my opinion. I’ll come back to that in a second.

If you go back 5 or 6 years and look at the state of digital SLR’s and do the same vs. other mirrorless cameras, the disparity in output quality was pretty enormous. Look at this today and it’s not so. How did that shift come about? From an industry perspective…

1. More interest in putting SLR sized sensors into compact camera bodies.

2. More interest in development of new series of lenses for digital-only bodies with smaller sensors (APS-C, 4/3, and smaller formats)

3. More interest in improving small sensor capability.

If SLR’s still rule one thing, it’s autofocus. Mostly, mid and high end bodies, but even some entry level bodies will be faster and more accurate to lock focus than other compact cameras. At the upper end there are all kinds of advanced focus tracking features. If you’re shooting sports, birds, or weddings professionally then you probably do need an SLR. For example, an honest report from a non-pro who has shot several weddings.

One other aspect of the SLR is their optical view finder. Many of the compact bodies now offer electronic view finders, which are not quite the same experience, but still provide a familiar way of shooting. I prefer the far-left placement of the viewfinder on Sony and Fuji cameras to Olympus, but the OM-D is more true to an SLR design.

I think one perceived benefit of an SLR is access to a wide selection of lenses, especially with a full frame SLR. For some people this might actually be true, but for most of us, how many lenses do we actually own? As a full frame SLR shooter for many years I subscribed to this, even though I purchased almost every lens I ever needed within the first year or two.

Still, it’s nice to know, when buying into a system the options to expand will be there. Most of the compact interchangeable lens cameras now have good lens lineups (all of which are continually growing). If we get out of the mindset “but there are only 12 lenses, and X offers 50 lenses” then we can start to scrutinize whether a system meets our actual needs or not.

As a full frame SLR user for many years, it’s taken me that long to wrap my head around a new way of thinking. Only just recently did I decide to sell my SLR and use only my NEX 5N exclusively. I arrived at this after considering a few key points:

1. FF offers better high ISO (color accuracy and noise) performance – Modern APS-C is good enough, it’s amazing how far sensor tech has come. I will “cope”!

2. FF offers more lens selection – Doesn’t matter. I will be using a 10-18 zoom, 24/1.8 as my primary lenses, an occasionally a couple of older small and light manual focus lenses.

3. FF offers thinner depth of field when all else is equal – I can get plenty of subject isolation on a crop sensor with a fast lens. I actually prefer the slightly deeper DOF most of the time.

4. My SLR viewfinder – I’ve learned how to frame and compose shots on the LCD of my NEX. I equate this to learning UL techniques to lighten up backpacking gear, it’s a new skill for a different experience.

5. My SLR has an ergonomic body – Not sure why I chanted the mantra “it’s easy to hold” so insistently. It’s big, it’s heavy, it’s not something I want to backpack with, and it’s not something I tend to take with me whenever I head out the door. The latter is important, I’ve been much more likely to have my NEX with me, and thus I’ve taken a lot more photos with it than I ever expected. Some I would not have captured otherwise. This was the initial eye-opener for me.

I’d put the image quality of my little 5N up against the Canon 5D mark II, and where the mark II is ahead, it’s not leaps ahead. For me the upside is worth the tradeoff. There are a handful of mirrorless interchangeable lens cameras in this class now. Lots of really exciting things going on in the world outside of SLR’s… too many to discount.

Wow, that was a really long post… well I've been sort of boycotting the forum changes by not posting lately, so I guess I just made up for it with excess use of bandwidth :)

OK Jacob, I'll take the bait. Or maybe you can see why I have waited so long to upgrade (first it was DSLR's were not as good as film, then the next generation was going to be better but what something else better is going to come out, so on and so on).

There does have to come a point that I have to bite the bullet and get something because what I have isn't working. I just don't want to be caught buying a "Beta-Max" if you get my drift (and Sony made that one too).

Anyone else want to way in on this?

The cost of a NEX 5n is cheaper then a D7000. And with the purchase of a few lenses (I only really use a couple, ever)I could hopefully get the whole package for under 1k?

del

Tad, I'm not trying to sway you towards a 5N, or any specific camera. I'm just saying, SLR is nothing more than a form factor which happens to be larger than mirrorless cameras, even with the same size sensor (talking about APS-C here, very few non-SLR full frames are out there).

The 5N and D7000 happen to share a very similar sensor (both being made by Sony). If they're both outfitted with similar quality lenses and put into the hands of a capable photographer then I would expect the output to be equal for all practical purposes.
Again, it's just an example using those two cameras for my convenience.

Mirrorless is here to stay, its future is so bright it hurts to look at it. If you can get comfortable with the form factor and don't have a specific reason to use an SLR, then why buy into SLR? That's the point I was aiming at in my longer post above.

I've been shooting SLR since film and through a series of Nikons starting at the DH1. My business partner and I shoot sports with them and upgrade the camera bodies periodically. Currently, I'm still using a D90 and he's on the D7000. We find the "prosumer" level of camera bodies meet our needs and allow more budget for glass — lenses.

I see a comment above that the 7000 can be found for less than a 90? If so, GET IT. I haven't seen that deal, but I have seen 90's come way down. Anyway, both are excellent cameras, relatively light and very functional. Both are plastic-bodied and as I can confirm from dropping the 90 onto rainy asphalt in Caguas, Puerto Rico… plastic bounces. I've also backpacked with the 90, using a light 50mm lens and a gallon ziploc for storage/rain security. –I prefer a pocket camera for backpacking, but still.

One of the great things about the Nikon system is that, if you're using a camera in the prosumer or better series, you can use any lens Nikon has made. I use a 1965 50mm 1.2 on the 90 from time to time, for example, and boy are there some gems to be found hiding in the "obsolete old lens listings".

For architectural and outdoor work, the metering, shutter and aperture controls, fast focus and hand-fit with a DSLR will be great. Both the 90 and 7000 have onboard radio triggers for flash units and I suggest that (if you get one) you upgrade your flash from the SB 28 DX. The 28 is a great flash (used 'em for years) but newer units interface with the DSLR's much better (the 28 doesn't do TTL on a DSLR) and do have the "free" onboard remote flash capability. This feature is easy to use and will surprise you with its utility. You might also snag yourself a monopod with a QR head. That, a new flash and the camera body will have you dialed-in for years.